Damien Hirst, "All you need is Love, Love, Love", 2010
$86,498
Zug, Switzerland
2010
YearArt
TypeAbout
Silkscreen with Diamond Dust
150.8 × 150.5 cm
(59.4 × 59.3 in)
Signed and numbered
Edition of 50
In excellent conditions
Accompanied by Certificate of Authenticity.
The butterflies, captured on red - like luminous fly-paper - are among Hirst’s most famous motifs, emblematic as they are of the fleetingness of life, and the romance of death. Blending the op
150.8 × 150.5 cm
(59.4 × 59.3 in)
Signed and numbered
Edition of 50
In excellent conditions
Accompanied by Certificate of Authenticity.
The butterflies, captured on red - like luminous fly-paper - are among Hirst’s most famous motifs, emblematic as they are of the fleetingness of life, and the romance of death. Blending the op
Silkscreen with Diamond Dust
150.8 × 150.5 cm
(59.4 × 59.3 in)
Signed and numbered
Edition of 50
In excellent conditions
Accompanied by Certificate of Authenticity.
The butterflies, captured on red - like luminous fly-paper - are among Hirst’s most famous motifs, emblematic as they are of the fleetingness of life, and the romance of death. Blending the optimistic sentiments of the Beatles with Hirst’s own delicate musings on mortality, the print finds the butterflies seemingly suspended in celebration, the vibrancy of their wings never diminishing, not even in death. For the artist, the appeal of butterflies is created largely by the appearance of life they retain in death. The monochrome paintings are the earliest example of his use of the insects, which were to become one of his most recognisable motifs
“ I love butterflies because when they are dead they look alive. The foil block gives them a feel similar to the actual butterflies. „
—Damien Hirst
150.8 × 150.5 cm
(59.4 × 59.3 in)
Signed and numbered
Edition of 50
In excellent conditions
Accompanied by Certificate of Authenticity.
The butterflies, captured on red - like luminous fly-paper - are among Hirst’s most famous motifs, emblematic as they are of the fleetingness of life, and the romance of death. Blending the optimistic sentiments of the Beatles with Hirst’s own delicate musings on mortality, the print finds the butterflies seemingly suspended in celebration, the vibrancy of their wings never diminishing, not even in death. For the artist, the appeal of butterflies is created largely by the appearance of life they retain in death. The monochrome paintings are the earliest example of his use of the insects, which were to become one of his most recognisable motifs
“ I love butterflies because when they are dead they look alive. The foil block gives them a feel similar to the actual butterflies. „
—Damien Hirst
Details
Year
2010
LocationZug, Switzerland
AddressAegeristrasse 50, 6300 Zug, Switzerland
TypeArt
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Registered on JamesEdition
2026
Address
50 Ägeristrasse, 6300, Zug, Zug (de), Switzerland
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Last updated
June 3, 2026
Listed
April 22, 2026